(Don’t) Face The Music: Music Variety Despite Genre Quota (1)
Having to play a certain amount of specific music can be a serious challenge for radio stations. Here’s how you can deal with music quota rules.
Read MorePosted by Thomas Giger | Oct 4, 2016 | Music | 4 |
Having to play a certain amount of specific music can be a serious challenge for radio stations. Here’s how you can deal with music quota rules.
Read MorePosted by Thomas Giger | Sep 27, 2016 | Music | 0 |
Premium | Balance in both category exposure and category sequence will help you create radio music format clocks that reinforce your music strategy.
Read MorePosted by Thomas Giger | Sep 20, 2016 | Production | 0 |
Radio stations publishing their content across several media and multiple channels can serve their audience better by managing their production efficiently.
Read MorePosted by Thomas Giger | Sep 13, 2016 | Music | 0 |
Premium | A successful radio station thrives on music, mornings and marketing. This station could optimise some aspects of its song library and music scheduling.
Read MorePosted by Thomas Giger | Sep 6, 2016 | Production | 0 |
Looking to increase your efficiency and improve your workflow? Consider connecting your broadcast studios and production suites via audio over IP networks.
Read MorePosted by Thomas Giger | Aug 30, 2016 | Programming | 0 |
Premium | Optimising small things, like increasing format consistency, could be enough to turn a good station into a great one in terms of programming tactics & strategy.
Read MorePosted by Thomas Giger | Aug 23, 2016 | Production | 0 |
The more tools we have for audiovisual production, the greater need there is for workflow management. Avid makes an effort to facilitate collaborative creation.
Read MorePosted by Thomas Giger | Aug 16, 2016 | Production | 0 |
Controlling the distance between mouth & mic is essential in controlling the sound you’re getting from a broadcast microphone, also because of the proximity effect.
Read MorePosted by Thomas Giger | Aug 9, 2016 | Production | 0 |
Genelec’s founder Ilpo Martikainen prefers having loudspeakers with a neutral sound for optimum control of audio quality.
Read MorePosted by Thomas Giger | Aug 2, 2016 | Programming | 0 |
Brainstorming interesting topics is just one half of the equation; finding mass-appeal angles is the most creative part of successful storytelling.
Read MorePosted by Thomas Giger | Jul 29, 2016 | Production | 7 |
Loudness wars may be over between radio stations (in some markets); they go on in the music industry. Should we always ‘undo’ clipping, and if so, how?
Read MorePosted by Thomas Giger | Jul 17, 2016 | Future | 2 |
American radio personality Mark Kaye shares ideas on how to use Snapchat for your station or show to engage listeners and receive content.
Read MorePosted by Thomas Giger | Jul 11, 2016 | Programming | 2 |
Being disciplined and demanding is an essential trait of successful program directors, radio & research veteran Dan Cowen says.
Read MorePosted by Thomas Giger | Jun 23, 2016 | Production | 0 |
A clean and bright sound, with low distortion and low fatigue, is what Bob Orban considers to be the best sound for a radio station.
Read MorePosted by Thomas Giger | Jun 15, 2016 | Programming | 0 |
Radio music & content research shows that great on-air personalities and hit music producers have one thing in common – they never keep their audience waiting for long.
Read MorePosted by Thomas Giger | Jun 5, 2016 | Future | 0 |
Radio stations have a unique advantage in creating tribes around their on-air product, online community entrepreneur Lacie Larschan says.
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